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  <title>NOPR Collection:</title>
  <link rel="alternate" href="http://nopr.niscpr.res.in/handle/123456789/29511" />
  <subtitle />
  <id>http://nopr.niscpr.res.in/handle/123456789/29511</id>
  <updated>2026-10-08T18:07:22Z</updated>
  <dc:date>2026-10-08T18:07:22Z</dc:date>
  <entry>
    <title>Microencapsulation of copper enriched &lt;i style="mso-bidi-font-style:normal"&gt;Aloe&lt;/i&gt; gel curative garment for atopic dermatitis&lt;span style="mso-bidi-font-size:15.0pt" lang="EN-GB"&gt; &lt;/span&gt;</title>
    <link rel="alternate" href="http://nopr.niscpr.res.in/handle/123456789/29532" />
    <author>
      <name>Krishnaveni, V</name>
    </author>
    <author>
      <name>Aparna, B</name>
    </author>
    <id>http://nopr.niscpr.res.in/handle/123456789/29532</id>
    <updated>2016-07-20T06:43:16Z</updated>
    <published>2014-10-01T00:00:00Z</published>
    <summary type="text">Title: Microencapsulation of copper enriched &lt;i style="mso-bidi-font-style:normal"&gt;Aloe&lt;/i&gt; gel curative garment for atopic dermatitis&lt;span style="mso-bidi-font-size:15.0pt" lang="EN-GB"&gt; &lt;/span&gt;
Authors: Krishnaveni, V; Aparna, B
Abstract: A novel attempt has been made in this research work to&#xD;
develop medicinal herb&lt;b style="mso-bidi-font-weight:normal"&gt; &lt;/b&gt;&lt;span style="mso-bidi-font-size:9.0pt" lang="EN-GB"&gt;&lt;i&gt;Aloe&lt;/i&gt; &lt;i&gt;vera&lt;/i&gt; (L.) Burm.f. gel extract&#xD;
treated garment using alternate medical concepts to cure &lt;span style="mso-bidi-font-weight:bold"&gt;atopic dermatitis. The present study&#xD;
focuses on curing the &#xD;
eczema by wearing the medicinal herb treated curative garment. Based on the&#xD;
copper content, the &lt;span style="mso-bidi-font-size:9.0pt" lang="EN-GB"&gt;&lt;i&gt;Aloe&lt;/i&gt; &lt;i&gt;vera&lt;/i&gt; (L.) Burm.f. plant was applied&#xD;
on to the 100% cotton single jersey knitted fabric by microencapsulation&#xD;
method. Microcapsules are produced using &lt;i style="mso-bidi-font-style:normal"&gt;Aloe&#xD;
vera&lt;/i&gt; gel as core and &lt;i style="mso-bidi-font-style:normal"&gt;Gum&lt;/i&gt; &lt;i style="mso-bidi-font-style:normal"&gt;Acacia&lt;/i&gt; as wall material. The presence and&#xD;
the density of microcapsules are analyzed by using scanning electron microscopy&#xD;
and different functional groups present in the samples by FT‑IR infrared&#xD;
spectroscopic study. The antimicrobial efficacy of the treated fabrics has been&#xD;
evaluated by agar diffusion and broth dilution of qualitative and quantitative&#xD;
test methods. The antimicrobial assessments of the &lt;i style="mso-bidi-font-style:&#xD;
normal"&gt;Aloe vera&lt;/i&gt; gel treated fabrics, &lt;span style="mso-fareast-font-family:Calibri" lang="EN-GB"&gt;SCORAD evaluation and clinical trials have commended the correlation between its curative&#xD;
performance and antimicrobial activity. The present study is an effective&#xD;
method of controlling the skin disease through medicated textiles.&#xD;
&#xD;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
Page(s): 795-803</summary>
    <dc:date>2014-10-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>&lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-size:15.0pt;mso-bidi-font-size:14.0pt" lang="EN-US"&gt;Batik&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size:15.0pt;mso-bidi-font-size:14.0pt" lang="EN-US"&gt; on handloom cotton fabric with natural dye &lt;/span&gt;</title>
    <link rel="alternate" href="http://nopr.niscpr.res.in/handle/123456789/29531" />
    <author>
      <name>Maulik, Sankar Roy</name>
    </author>
    <author>
      <name>Bhowmik, Lina</name>
    </author>
    <author>
      <name>Agarwal, Khusbu</name>
    </author>
    <id>http://nopr.niscpr.res.in/handle/123456789/29531</id>
    <updated>2016-07-20T06:43:13Z</updated>
    <published>2014-10-01T00:00:00Z</published>
    <summary type="text">Title: &lt;i style="mso-bidi-font-style: normal"&gt;&lt;span style="font-size:15.0pt;mso-bidi-font-size:14.0pt" lang="EN-US"&gt;Batik&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size:15.0pt;mso-bidi-font-size:14.0pt" lang="EN-US"&gt; on handloom cotton fabric with natural dye &lt;/span&gt;
Authors: Maulik, Sankar Roy; Bhowmik, Lina; Agarwal, Khusbu
Abstract: &lt;span style="font-size:&#xD;
9.0pt;mso-bidi-font-size:11.0pt" lang="EN-US"&gt;Handloom forms a precious part of the&#xD;
generational legacy and exemplifies the richness and diversity of culture and&#xD;
artistry of the weavers. Tradition of weaving by hand is a part of the&#xD;
country’s cultural ethos. However, in the present context of globalization and&#xD;
rapid technological changes, handloom sector is beset with many challenges and&#xD;
the handloom products are being continuously replicated on power looms at much&#xD;
lower price. Hence, there is a need to strengthen this sector given the&#xD;
employment potential and market demand for handloom products. On the other hand&#xD;
environmental considerations are now becoming additional important factors&#xD;
during the selection of consumer goods including textiles all over the world.&#xD;
Affairs related to environmental preservation and control of pollution have&#xD;
renewed interest for use of natural dyes for the colouration of textile&#xD;
materials all over the world, particularly in the developed countries. In the&#xD;
past few decades, batik work on textile materials has gained popularity among&#xD;
the young generations who quickly adapted the &#xD;
easy-to-do method for individualizing their shirts, trousers, jeans and casual&#xD;
clothing. Therefore, product diversification through &lt;i style="mso-bidi-font-style:&#xD;
normal"&gt;batik&lt;/i&gt; work with natural dyes is one of the ways to create fancy&#xD;
effect on the handloom products for the ever changing fashion market. A greater&#xD;
emphasis on using natural dye in the textile industry could make a valuable&#xD;
contribution to environmental sustainability in the 21&lt;sup&gt;st&lt;/sup&gt; century.&#xD;
&#xD;
&lt;/span&gt;
Page(s): 788-794</summary>
    <dc:date>2014-10-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>&lt;i style="mso-bidi-font-style:normal"&gt;Petni&lt;/i&gt;, &lt;i style="mso-bidi-font-style:normal"&gt;kondi&lt;/i&gt; and &lt;i style="mso-bidi-font-style:normal"&gt;reku&lt;/i&gt;: Traditional techniques of weaving handloom silk &lt;i style="mso-bidi-font-style:normal"&gt;sarees&lt;/i&gt;</title>
    <link rel="alternate" href="http://nopr.niscpr.res.in/handle/123456789/29530" />
    <author>
      <name>Panneerselvam, RG</name>
    </author>
    <id>http://nopr.niscpr.res.in/handle/123456789/29530</id>
    <updated>2016-07-20T06:43:11Z</updated>
    <published>2014-10-01T00:00:00Z</published>
    <summary type="text">Title: &lt;i style="mso-bidi-font-style:normal"&gt;Petni&lt;/i&gt;, &lt;i style="mso-bidi-font-style:normal"&gt;kondi&lt;/i&gt; and &lt;i style="mso-bidi-font-style:normal"&gt;reku&lt;/i&gt;: Traditional techniques of weaving handloom silk &lt;i style="mso-bidi-font-style:normal"&gt;sarees&lt;/i&gt;
Authors: Panneerselvam, RG
Abstract: &lt;i style="mso-bidi-font-style:normal"&gt;Petni&lt;/i&gt;, &lt;i style="mso-bidi-font-style:normal"&gt;Kondi&lt;/i&gt; and &lt;i style="mso-bidi-font-style:normal"&gt;Reku&lt;/i&gt; are the names of three different&#xD;
traditional techniques being practiced by the handloom weavers in preparing the&#xD;
warp to produce &lt;i style="mso-bidi-font-style:normal"&gt;pallau&lt;/i&gt;, body and&#xD;
border of silk &lt;i style="mso-bidi-font-style:normal"&gt;sarees&lt;/i&gt; in solid&#xD;
colours. The basic colour concepts of warp and weft used in getting solid&#xD;
colour &lt;i style="mso-bidi-font-style:normal"&gt;pallau&lt;/i&gt;, body and border have&#xD;
been analyzed. The steps followed for the preparation of warp in different&#xD;
colours have been observed separately in all these three techniques. In each step,&#xD;
the intersections of different colour ends in different parts of the &lt;i style="mso-bidi-font-style:normal"&gt;saree &lt;/i&gt;have been noted and shown as threads&#xD;
interlacing diagram and/or line diagrams to understand the technicality&#xD;
involved in these traditional processes. The salient features of these three&#xD;
techniques have been studied. While comparing, it is found that the &lt;i style="mso-bidi-font-style:normal"&gt;reku&lt;/i&gt; technique is very simple to carry&#xD;
and hence it has now slowly replaced the &lt;i style="mso-bidi-font-style:normal"&gt;petni&lt;/i&gt;&#xD;
and &lt;i style="mso-bidi-font-style:normal"&gt;kondi&lt;/i&gt; technique in different&#xD;
handloom clusters.
Page(s): 778-787</summary>
    <dc:date>2014-10-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Traditional artifacts from &lt;i&gt;Bena&lt;/i&gt; grass [&lt;i&gt;&lt;span style="mso-font-kerning:18.0pt;mso-ansi-language:EN-IN; mso-fareast-language:EN-IN"&gt;Chrysopogon&lt;/span&gt;&lt;/i&gt;&lt;span style="mso-font-kerning: 18.0pt;mso-ansi-language:EN-IN;mso-fareast-language:EN-IN"&gt; &lt;i&gt;zizanioides &lt;/i&gt;(L.) Roberty] (Poaceae) in Jajpur district of Odisha, India &lt;/span&gt;</title>
    <link rel="alternate" href="http://nopr.niscpr.res.in/handle/123456789/29529" />
    <author>
      <name>Tripathy, BK</name>
    </author>
    <author>
      <name>Panda, T</name>
    </author>
    <author>
      <name>Mohanty, RB</name>
    </author>
    <id>http://nopr.niscpr.res.in/handle/123456789/29529</id>
    <updated>2016-07-20T06:43:09Z</updated>
    <published>2014-10-01T00:00:00Z</published>
    <summary type="text">Title: Traditional artifacts from &lt;i&gt;Bena&lt;/i&gt; grass [&lt;i&gt;&lt;span style="mso-font-kerning:18.0pt;mso-ansi-language:EN-IN; mso-fareast-language:EN-IN"&gt;Chrysopogon&lt;/span&gt;&lt;/i&gt;&lt;span style="mso-font-kerning: 18.0pt;mso-ansi-language:EN-IN;mso-fareast-language:EN-IN"&gt; &lt;i&gt;zizanioides &lt;/i&gt;(L.) Roberty] (Poaceae) in Jajpur district of Odisha, India &lt;/span&gt;
Authors: Tripathy, BK; Panda, T; Mohanty, RB
Abstract: The paper reports the utility of a common wetland&#xD;
plant &lt;i style="mso-bidi-font-style:normal"&gt;Bena&lt;/i&gt; in traditional craft&#xD;
making in some rural pockets of Jajpur district of Odisha. The field survey was&#xD;
conducted during the year 2010-2012 to access the present status of this unique&#xD;
plant based craft as well as the condition of the artisans involved in this&#xD;
craft making. Data were collected through interview with elderly artisans of&#xD;
the area of study. The result revealed that making artifacts from &lt;i style="mso-bidi-font-style:normal"&gt;Bena&lt;/i&gt; is exclusively the hand work of&#xD;
female folk belonging to SC (Scheduled caste) and ST (Scheduled tribe)&#xD;
communities. Most of these artisans are either daily wage labourers or marginal&#xD;
farmers while making such craft is their secondary occupation. They collect the&#xD;
raw material, i.e. &lt;i style="mso-bidi-font-style:normal"&gt;Bena&lt;/i&gt; stem from the&#xD;
nearby field, process it and make around two hundred varieties of attractive&#xD;
craft items both for traditional use in socio-religious rituals and as modern&#xD;
life style accessories. These artifacts are appreciated for their intricate&#xD;
design and glazing golden yellow colour. The existing conditions of this folk&#xD;
craft as well as the artisans were analysed. Some remedial measures are&#xD;
suggested to save this endangered craft from oblivion.
Page(s): 771-777</summary>
    <dc:date>2014-10-01T00:00:00Z</dc:date>
  </entry>
</feed>

