http://nopr.niscpr.res.in/handle/123456789/65775 2026-10-10T06:40:21Z http://nopr.niscpr.res.in/handle/123456789/65787 Title: Concept of Copyleft: Free Software, Creative Commons and Open Source Authors: Singh, Hemendra Abstract: This article explores the evolving landscape of copyleft licensing in the digital era, highlighting its vital role in preserving intellectual freedom, collaboration and the open sharing of knowledge and creativity. Every organized creative venture is a result of the core thinking of an idea which took the shape of some kind of derivation giving the end result. Propounded by the theory of property and ownership, copyleft uses a piece and gives a fair share to its creators. Several information models have underpinned the concept, as it originally emerged as a licensing strategy within the broader framework of derivative creation cycles. In today’s digital landscape, where we seek creative solutions to satiate our ever-growing appetite for innovation and technology, it becomes imperative to thoroughly examine this concept and its practical applications. Page(s): 269-273 2025-05-01T00:00:00Z http://nopr.niscpr.res.in/handle/123456789/65786 Title: Celluloid Chronicles: Exploring Cinema and Copyright over Films Across Borders in India, the US & Germany Authors: Srivastava, Charu Abstract: The paper examines the intricate relationship between cinema and copyright law, focusing on the jurisdictions of India, the United States, and Germany. As cinema has progressed from film to the digital age, copyright law has played a pivotal role in shaping its development, regulation, and protection. The research delves into the historical, political, and legal contexts of cinema and copyright law in India, the US, and Germany through a comparative lens. Each jurisdiction presents unique challenges regarding the protection of creative expression and the role of the State in protecting films. Examining the historical evolution of legislative provisions and industry practices seeks to elucidate the evolving dynamics between filmmaking and copyright law. The Doctrinal and Comparative methodology is applied to critically analyse how cinema progressed from inception when Copyright Laws did not recognize films as separate copyrightable work to the era when the film industry was permeated with a plethora of infringement disputes and films found their place as separate work under the Copyright Laws and a few recommendations that Indian Copyright Law can incorporate to bring the legislation at par with other jurisdictions. Page(s): 274-284 2025-05-01T00:00:00Z http://nopr.niscpr.res.in/handle/123456789/65785 Title: Infringement of Photographic Works on Marketplaces: A Study of the Chinese Experience Authors: Pokrovskaya, Anna Abstract: This article aims to provide an extensive analysis of the Chinese experience regarding the infringement of photographic works on marketplaces, offering valuable insights into the causes, scale, and implications of this pervasive issue. It explores the challenges faced by photographers in protecting their intellectual property rights, the effectiveness (or lack thereof) of marketplace policies and enforcement mechanisms, and the role of technological advancements, such as content filtering algorithms, in tackling infringement issues. Moreover, this study investigates the economic consequences of photographic copyright infringement on photographers, marketplace platforms, and the image licensing ecosystem as a whole. By analyzing the financial impact, including potential revenue losses, reduced market competitiveness, and implications for artistic innovation, this research sheds light on the urgency of addressing the issue and implementing effective preventive measures. Overall, this article provides a comprehensive understanding of the infringement of photographic works on marketplaces, with a specific focus on the Chinese experience. It contributes to the existing literature on copyright protection and online marketplace governance, aiming to raise awareness, inform policy decisions, and guide future research in combating this pressing issue within the photography industry. Page(s): 285-294 2025-05-01T00:00:00Z http://nopr.niscpr.res.in/handle/123456789/65784 Title: Recognition to Implementation: Bridging the Gap in Moral Rights Protection under Indian Copyright Law Authors: Yadav, Asheesh; Yadav, Raj Kumar; Singh, Vipan Pal; Rajpurohit, Govind Singh; Singh, Sushma Abstract: Intellectual Property Rights have reflected itself as a new developing dimension in the legal field, and its development aims to address the challenges related to Intellectual property. Moral rights are the legal recognition of the moral aspect of intellectual property law, which remains with the author even after transferring or assigning the legal rights to someone else. In India, moral rights got their recognition under the Copyrights Rights Act of 1957. The present paper discusses the effectiveness of the law in this regard and examines the available legal framework of Indian intellectual property laws. It also attempts to understand the role of the judiciary in strengthening and preserving the moral aspect of law concerning copyright law. The study forms its basis by analysing the existing legal framework and intervention of the judiciary in this regard. The methods used in this regard are analytical and doctrinal. Moral rights are reflected as the personality of the author. In this paper, we found that there are various aspects and challenges that require attention at both the judiciary and legislature levels. Moral rights are a significant aspect of copyright, but no more consideration was given to the question of moral rights. The moral foundations of copyright have been explored via a variety of illuminating case laws and international treaties under different jurisdictions. As it is depicted as a part of the intellectual property rights law, its complete segregation is impossible. Also, much remains to be done to cope with the development of the moral rights law. Page(s): 295-303 2025-05-01T00:00:00Z