Please use this identifier to cite or link to this item: http://nopr.niscpr.res.in/handle/123456789/61246
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dc.contributor.authorRaza, Aqa-
dc.contributor.authorAlam, Ghayur-
dc.date.accessioned2023-01-25T06:35:08Z-
dc.date.available2023-01-25T06:35:08Z-
dc.date.issued2023-01-
dc.identifier.issn0975-1076 (Online); 0971-7544 (Print)-
dc.identifier.urihttp://nopr.niscpr.res.in/handle/123456789/61246-
dc.description434-441en_US
dc.description.abstractThis Paper seeks to build upon the method and findings of ‘Theoretical Underpinnings of Copyright and Design Laws: Decisions of the Supreme Court of India’1 with a view to examine the theoretical underpinnings of copyright law post Krishika Lulla2 and design law post Godrej Sara Lee3 as discovered or constructed in the decisions of the Supreme Court of India (Supreme Court). An analysis of the reported decisions on copyright law reveals that: (i) validity of The Copyright Actor of any provisions of the Act was not in question in any of the decisions; (ii) constitutional validity of Rule 29 (4) of The Copyright Rules, 2013 was in question in one of the decisions in which the Supreme Court showing deference to the legislative wisdom reversed the decision of the High Court on the ground that the High Court has overreached its remit and has re-drafted the rule; (iii) both Labour and Utilitarian Theories, and not any other theory, have been simultaneously invoked by the Supreme Court; and (iv) on an average, the Court has decided 1.66 copyright cases in a year; or one copyright case in 251 days, or in .68 (point six eight) years. It appears that the Supreme Court was invoking both Labour and Utilitarian Theories mechanically without going into the clear differences between the two. It has been previously4argued that the Court should have applied judicially manageable standards to rigorously scrutinize the theoretical underpinnings of copyright law from all possible angles. This Paper reiterates this argument for nothing seems to have changed in the judicial approach when it comes to theoretical underpinnings of copyright law. An analysis of decisions on design law reveals that: (i) only one decision has been reported on design law and the Court has not gone into the question of theoretical underpinnings; (ii) in four decisions there is only a reference to The Designs Act but these decisions have not decided any question of design law; and (iii) on an average, the Court has decided .08 (point zero eight) design cases in a year; or one design case in 4,595 days, or in12.58 years.en_US
dc.language.isoenen_US
dc.publisherNIScPR-CSIR, Indiaen_US
dc.sourceJIPR Vol.27(6) [November 2022]en_US
dc.subjectLabour Theoryen_US
dc.subjectUtilitarian Theoryen_US
dc.subjectNatural Right Theoryen_US
dc.subjectThe Copyright Act, 1957en_US
dc.subjectThe Copyright Rules 1958en_US
dc.subjectThe Copyright Rules 2013en_US
dc.subjectThe Designs Act, 2000en_US
dc.subjectPer Incuriamen_US
dc.subjectTheoretical Underpinningsen_US
dc.subjectThe Constitution of Indiaen_US
dc.subjectArticle 145(3)en_US
dc.subjectSupreme Court of Indiaen_US
dc.subjectPresumption of Constitutionalityen_US
dc.subjectSocial Planning Theoryen_US
dc.subjectRatiocinationen_US
dc.subjectIntellectual Propertyen_US
dc.subjectPublici Jurisen_US
dc.subjectDraftsmanshipen_US
dc.subjectCraftsmanshipen_US
dc.subjectAmendmenten_US
dc.subjectExclusive Righten_US
dc.subjectNegative Righten_US
dc.titleTheoretical Underpinnings of Copyright and Design Laws Post-Krishika Lulla and Godrej Sara Lee: Decisions of the Supreme Court of Indiaen_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.56042/jipr.v27i6.66025en_US
Appears in Collections:JIPR Vol.27(6) [November 2022]

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