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dc.contributor.authorChandrasekaran, J-
dc.contributor.authorDevi, Heisnam Jina-
dc.contributor.authorSwamy, N V C Swamy-
dc.contributor.authorNagendra, H R-
dc.date.accessioned2010-04-28T03:54:53Z-
dc.date.available2010-04-28T03:54:53Z-
dc.date.issued2005-04-
dc.identifier.issn0975-1068 (Online); 0972-5938 (Print)-
dc.identifier.urihttp://hdl.handle.net/123456789/8505-
dc.description127-131en_US
dc.description.abstractMusic forms an important part of Indian culture. It is believed that Indian music originated from the Samaveda. It is now available in two forms, the Hindustani and the Carnatic. There is a lot of information concerning the technical aspects of musical renditions, but hardly any information on the sound aspect. In this paper, attempts made to study the spectral aspects of Indian musical notes, particularly the Carnatic music has been discussed. Recordings were made of the seven notes of the classical music using three male and three female voices. The analysis of the waveforms using the appropriate software yielded the energy, frequency and time spectra, helping in identifying the formants of the signals which in turn define the signatures of the sound pattern.en_US
dc.language.isoen_USen_US
dc.publisherCSIRen_US
dc.relation.ispartofseriesInt. Cl7: G10L13/00; G10L15/00en_US
dc.sourceIJTK Vol.4(2) [April 2005]en_US
dc.subjectMusical Notesen_US
dc.subjectIndian Musicen_US
dc.subjectCarnatic Musicen_US
dc.subjectClassical Musicen_US
dc.subjectSpectral Analysisen_US
dc.titleSpectral analysis of Indian musical notesen_US
dc.typeArticleen_US
Appears in Collections:IJTK Vol.04(2) [April 2005]

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